Vår på Bjørnemyr by Peter Mohall is a vivid exploration of the early spring landscape at Nesodden, Norway. The painting captures a serene moment where the artist's daughter is seen walking through a forested area. Mohall's use of tempera grassa on jute brings a textured and earthy quality to the composition, highlighting the transition of the landscape from winter to spring. Mohall’s characteristic color swatches punctuate the composition, each one a meticulous sampling of the hues found within the scene, arranged almost as if they are floating in the air, detached from the narrative. These swatches serve as a visual exploration of color theory, juxtaposing the naturalistic scene with abstract elements that disrupt the conventional landscape. The interplay between the earthy texture of the jute and the vibrant yet restrained palette underscores the contemplative nature of the work, inviting the viewer to consider not just the scene before them but the process and structure underlying its creation.